Along the way we came across brilliantly varied examples of how goddesses have been approached in fiction, sometimes revelling in the divine spotlight and sometimes in more background roles. 480–323 B.C.In our book You Goddess! we look at supernatural women’s stories from around the world to see how the stereotypes both hamper women and provide us with inspiration. Contemporary Deconstructions of Classical Dress.The Chiton, Peplos, and Himation in Modern Dress.“ Contemporary Deconstructions of Classical Dress.” (October 2003) “ The Greek Key and Divine Attributes in Modern Dress.” (October 2003) “ The Chiton, Peplos, and Himation in Modern Dress.” (October 2003) “ Orientalism: Visions of the East in Western Dress.” (October 2004) “ Classicism in Modern Dress.” (October 2003) “ Dress Rehearsal: The Origins of the Costume Institute.” (October 2004) See on MetPublications Additional Essays by Harold Koda New York: Metropolitan Museum of Art, 2003. New York: The Metropolitan Museum of Art, 2000–. “Classical Art and Modern Dress.” In Heilbrunn Timeline of Art History. By employing a variety of techniques, designers as disparate as Mariano Fortuny ( 1979.344.11a,b), Madeleine Vionnet, Madame Grès, Mary McFadden, and Norma Kamali have achieved effects redolent of the stylized characteristics of cloth seen in the art of ancient Greece. Such differentiated representations have also found expression in fashion design. In Greek art, fabrics are rendered with the texture of both regular folds and irregular pleating ( 14.130.9). Such animated drapery frequently takes on a more schematic form, with fluted edges regularized into a rhythmic pattern of handkerchief-pointed “swallowtail” folds, a characteristic that has inspired fashion designers in the twentieth century ( 17.230.35). Often, this effect occurs in response to compositional requirements rather than to any natural phenomenon or dressing practice. This misconception, thought to derive from the faded and abraded surfaces of originally polychromed Greek statuary and architecture, continues to this day in fashion.ĭrapery of the classical and Hellenistic periods of Greek art sometimes appears purely as a foil for nudity, clinging and spiraling around the body. The classicizing effect is further underscored if the fabric is white, since there has been a longstanding assumption that ancient Grecian styles were achromatic. Such gossamer robes, shawls, and veilings became one of the most potent associations for fashion, as exemplified by the popular use of light mull, a sheer cotton fabric of the Empire period, and also of tulle and chiffon. In certain artistic renderings from antiquity, textiles appear fragile, even ephemeral - qualities that are substantiated in ancient literary texts. From the nineteenth century to the present, designers have utilized a variety of techniques and materials to replicate its effects in cloth ( C.I.50.21.12 1985.155). This sculptural characteristic-evidenced in figures from the classical and Hellenistic periods-has emerged in fashion as a signifier of classicizing intent. Among the stylizations that have most influenced fashion designers is wet-drapery, a term used by art historians to describe cloth that appears to cling to the body in animated folds while it reveals the contours of the form beneath ( Victory of Samothrace, Musée du Louvre, Paris). In depicting details of the distinctive modes of ancient Greek attire, subsequent artists and designers have changed, as much as preserved, the actual qualities of ancient garb. Even in the most naturalistic representation of Hellenic dress, subjective and proscribed stylistic qualities are inevitably introduced. Through the centuries, art and fashion have achieved their own transformations, in the process injecting new qualities not present in the original garments. When he becomes enthralled with his own sculpted ideal, Venus-the Greek Aphrodite-responds to his prayers and brings the statue to life as Galatea. The Roman poet Ovid recounted an ancient myth in which Pygmalion, a sculptor disenchanted by mortal women, creates an image of feminine perfection.
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